MP4/MOV file renaming: Option to sort clips by timecode, creation date or file name before adding a unique number. ExportįCPXML: Export one or multiple bins or folders with synced audio files as events and projects for Final Cut Pro.ĪLE: New options to include ACES look information, to export camera letters lowercased and to leave the “clip names”-column blank. PerformanceĬanon RAW: GPU acceleration for CRM decoding now also available on M1 Macs. Load CLF in LMT: Load Common LUT Format (CLF) files in LMT node for round-tripping in ACES workflows.ĪCES Look Metadata: The metadata fields “ACES Input Transform”, “ACES Input TransformID”, “ACES Output Transform”, “ACES Output TransformID”, “LMT Nodes” and “Reference Gamut Compress” reflects ACES look metadata in the general info and the clips table to make it available in reports. ACES WorkflowĪCES v1.3: Support for ACES version 1.3.0 including Reference Gamut Compress. LUT Interpolation: Choose between different interpolation methods like trilinear and tetrahedral interpolation. Knee Curve Node: Create simple “knee” and “toe” curve adjustments to quickly modify contrast range and limits of highlights and shadows. Look Compatibility: Support for latest Livegrade looks. ShotHub Library Sync: Improved robustness in unreliable network conditions, better error handling and user interface when syncing the clip library with Pomfort ShotHub. After the clips are added to the library, you can extract per frame metadata from these clips. Cloud Backup & Syncĭirect S3 Upload: Backup your files in an AWS S3 bucket or other service that implements the S3 API. 7 inches around and fit a 6 - 6 1/4 inch wrist comfortably, so will fit wrists in a range of that measurement. In Silverstack XT and Lab, it is possible to extract dynamic metadata from camera clips for a range of formats (ARRIRAW mxf and file sequence, ARRI ProRes, REDRAW, SONY X-OCN, SONY XAVC, SONY RAW). Silverstack also lets you instantly secure data, preview source material, and create all kinds of reports based on one central metadata library. If you are not familiar with Silverstack, it is software for securely backing up footage and ingesting data in a fast, organized, and transparent way. 7) Replaced 16Gb SD card with a 4Gb card. 6) Replaced third party standard zoom with 2nd Hand 18-105 Nikkor. 3) Cleaned and Deoxited the batteries (I have a few) 5) Cleaned and DeoxITed the battery charger. In addition, Silverstack 7 lets you upload your project libraries to the cloud and adds additional reporting capabilities. Improvements include Final Cut Pro Export, the ability to register your AWS account in Silverstack Lab and safely backup your files in an S3 bucket or other service that implements the S3 API, as well as ACES workflow enhancements. 2) Lightly coated all visible contacts with DeoxIT (mine is a small glass container of red liquid). In fact, Silverstack offers a flexible way of data handling by supporting any kind of file format including sound files, photos, any camera media and all other production documents. In Resolve, I put untouched clips on the Timeline then render via the Delivery page.ĭefinitely no VFX or anything else in the pipeline there.Pomfort has released Version 8.2 of Silverstack Lab. Silverstack is using the same parameters, yes. Thanks Wayne - I use the Studio version so Davinci is able to access both GPUs in theory. I don't really have an answer for you, but I think clarifying a couple of issues would help someone else give a good answer. I'm not familiar with Silverstack Lab, but if it's just a select-some-files-and-convert-them with application, you could be doing a lot of inefficient/extra things in Resolve.) Wfolta wrote:I believe that Resolve non-Studio only uses a single GPU card, so you might want to check in Activity Monitor how much of the GPU each program is actually using.Īlso, is Silverstack outputting with the same settings in terms codec parameters? And how are you using Resolve to set up your conversions? (You could be doing a lot of things ranging from the Media Pool, to a timeline, to the Delivery page.
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